lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
Gateway by Sharon Shinn

One of her slight YA fantasy romances, this one about a Chinese-American girl who is nudged across a gateway to an alternate St. Louis populated largely by alternate Chinese people where she is supposed to remove a dangerous politician. Dropped partly because it was too simplistic for my mood, but mostly because it features a lot of exploitation that Shinn seems entirely unaware of. The protagonist's father is supposed to be a good guy, which we are to infer from the fact that he picks up homeless people off the side of the road, works them for a full day on his construction projects, then doesn't pay them for labor, oh no no no, he sends them off with a meal. What a prince, you guys. You see, when someone is starving, it's cool to extract $60+ worth of labor from them and then give them a $3 plate of spaghetti because hey, you helped, right. It's incredible the mental gymnastics people go through to justify this. Compounded in the text by our protagonist, who is supposed to take down a dangerous man that no one else can for mumble mumble reasons and then get her memory wiped because . . . IDK, when you have a dangerous job, you should definitely arrange to get a teenager from another dimension to do it for free?

There's an interesting point in here somewhere about fantasy narratives and chosen ones and doing the labor of saving everybody for free, but this book showed no signs of even noticing the issue, and I'm not interested enough to continue.

The Engines of God by Jack McDevitt

Scifi about archaeologists trying to fully record the remains of an extinct alien civilization before it is destroyed by terraforming. Interesting premise, but I quit at the 1/5 mark because the gender stuff was really getting out of hand. Just a tiny sampling: a statue of an alien about which they know absolutely nothing is "clearly" female (what? Why? You don't even know they have sexes!) and a later larger example is obviously male (because larger, apparently). A later alien writing sample is bold, and therefore declared "masculine." It really should not be a surprise that an author who would indulge in that sort of crap would also write a sentence like "people liked him, women loved him." Women, you understand, not being people. Yes, thank you for putting a bow on it, I got it.

Legendborn by Tracy Deonn

YA about a freshman at UNC who gets mixed up in an Arthurian secret society in attempts to find out why she can see magic she shouldn't. This is doing interesting stuff with the black protagonist and her view of the overwhelmingly white arthurians and their creepy obsession with their ancestry. It's about who owns the legend and who really doesn't. But it's just so extremely YA – there's a romance that does everything you expect it to, down to the last beat, and the protagonist talks to herself in that particularly YA way – and I'm not in the mood.
lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
General Winston's Daughter

3/5. YA romantic fantasy about the general's daughter who joins him on campaign in the country he has just colonized, and how she starts to become fantasy woke as a rebellion brews and she falls out of love with her fiancé and into love with the wrong man.

Deceptively cute. This book leans hard into the heroine's bubbly, giggly persona for a long time. It's all shopping, parties, flirting – oh by the way, imperialism is bad. I kid. Mostly. This is a sweet, mildly shallow story with a surprising sting in the tail to lend it complexity in the end.
lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
Mystic and Rider (Twelve Houses, #1)Mystic and Rider by Sharon Shinn

My rating: 3 of 5 stars


The story of a glorified road trip through a fantasy kingdom during which our heroes talk endlessly about the looming evil and yet have an incredibly hard time grasping it's obvious plans, at least until they finally meet up with looming evil, who proceeds to narrate the evil plan but never actually do a single thing, and then the book ends.

I liked this, but *points up* I'm not really sure why. The strength of this book is in the romance, which is pretty rare for these fantasy/romance hybrids, in my experience. But this one – there was something about this older, weary pair, their wariness and mistrust, and how that changed with time and work.

Still, there is a fundamental clumsiness to Shinn's writing, not to mention her worldbuilding, and while I'm curious about the next book, I have a feeling she's going to be one of those hit-or-miss-but-mostly-miss authors.




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lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
Archangel (Samaria, #1)Archangel by Sharon Shinn

My rating: 3 of 5 stars


Oh, you know, it’s your typical book about another planet where an angel rescues a woman from slavery and forces her to marry him because his god/an AI told him to. Oh, and he wears leather. The angel, not the AI.

This is actually not as batshit as I’m making it sound, though it’s still decidedly . . . Pernlike. Id vortex or bust, if you know what I mean, and it was mostly a bust for me. I don’t have an arranged marriage kink or an angel kink or any of the other seventeen kinks this book was hurling at me. And it could never quite decide if it was a clumsy little young adult bit of wanking, or something else. I mean, be silly wanking if you want, I don’t judge, just actually be it, or decide not to be it.

Not as sexually skeezey as expected, nor as emotionally immature. Actually pretty grown up and interesting when it forgot it was a book where all our heroes are righteous and the unrighteous get literally smited no really. But still.




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