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The Hero and the Crown

3/5. Fantasy about Aeron, the very special king's daughter whose people don't understand her but really she's so magical and special you guys.

I deeply disappointed my wife by finding this not to my taste. Except for a section in the middle where Aerin literally spends several days lying in a river in terrible pain deciding whether to die. By pure chance, I read that segment while huddled in my living room at 2 in the morning in horrific pain and kind of wishing for sweet death. This was just five days ago, but it's already a distant, hallucinatory memory. Maybe I got flamed by a dragon. Maybe Aerin had a kidney stone and couldn't keep narcotics down.

Anyway, this book crystalized for me that I don't actually like McKinley's tell-tell-tell style, no matter how much everyone tells me I'm supposed to. Though I do give bonus points for having her bang whatshisface then run off and marry other whatshisface without a blink. Minus points for not really engaging with Aerin's sense of alienation and how it is rooted in actual alienation, in actual not-entirely-humanness. A lot of that got sublimated into the mean girl bullying, which, yawn.
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The Blue Sword

2/5. Young woman is abducted by the king of a neighboring nation because magic tells him to, and then she gets a magical horse and then she magically becomes the best fighter ever in the course of six weeks and then she gets a magical sword and then she does magic things, the end.

Yeeeeeah, sorry, no, this bored me thoroughly. And it had me to start with, too; the opening quarter of this book is a slow, absorbing account of this young woman's introduction to a backwater military outpost, and there's a beauty to the way she falls in love with the desert landscape that everyone else just wants to escape. But then all the magic ex machina happens, and meh.

Also, the ethnic politics, yikes. ExpandGeneralized spoilers )

But Light, you cry, I love this book and I read it a thousand times and you don't understaaaaand it.* Yep. That's right. I don't.

*Well, actually I think it's more like this book is of a different era and esthetic, and I was not in the frame of mind to read it as a historical document. I just wanted a damn book to enjoy.
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Sunshine

4/5. From early on in the current urban fantasy movement, from the early Vampire Period (you know, like the Blue Period, but vampirier). A baker in a slow-motion-supernatural-apocalypse world comes into her power after getting entangled in vampire wars.

Finally reading this, only a decade late. On the plus side: baking; a beautiful sense of extended family and community around the bakery; characters who all want to feed everybody; a protagonist whose romantic relationship is strong and steady and respectful the way two very independent people would be. On the minus side: oh, whoops, there were clearly supposed to be another eight books that she never wrote. And that, IIRC, she got incredibly snotty with people over requesting, even though this is the first book in a series, I'm sorry it just is.

I will say this about the fact that this book is 85% setup for a series that doesn't exist: it lets the vampire be the vampire. He is genuinely inhuman here, and creepy, and only sexy in the most uncomfortable of ways where it's clear the impulse is rather horrible to both parties. And the intimacy built between the baker and the vampire is . . . well, it's two aliens squinting uncertainly at each other across the wreckage, basically. And a series would have ruined that, most likely. As it is, this book can end well for everyone, but with ambiguous and uncomfortable implications, and I liked that.

So in short, a good example of the genre, with more warmth and richness than many later followers. But you've got to go in understanding that this was, like, a world-building exercise for McKinley or something. I almost wish she had turned the impulse to creating an elaborate tabletop game; it might have gotten her what she wanted and pissed off way fewer readers.

Note: Currently $1.99 on Kindle.
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Beauty: A Retelling of the Story of Beauty and the Beast Beauty: A Retelling of the Story of Beauty and the Beast by Robin McKinley


My rating: 3 of 5 stars
I read this as a wee thing, and remember very little except loving it. And the dresses! That image of them bursting open the doors of the wardrobe in Beauty's room has stuck with me. (When discussing childhood book loves with C, I said of this book "the dresses!" as she simultaneously said "the horses!" Baby butch and baby femme: a tale of alternate literary recollections.)

I still like it as a grown up. It's a very simple story, prettily told, with some very quiet thematic conversations about virtues – about honor, in particular. Sweet and largely sanitized of the, you know, creepiness and rapiness of the story in its goriest forms without making it feel artificial or lacking.

But it turns out that I don't actually like Beauty and the Beast. The bones of the source story, I mean. I think it's that I automatically code the beast's . . . beastliness as disfigurement, so it slots into the 'disability' category in my head. So the outcome of the story quietly pisses me off, because he's cured by love. Gag me with a spoon. (I should mention I've been thinking a lot about Lucy Grealy lately.) And even if you take out that idiosyncratic reading, you're left with, what? A man – and in the case of this book also a girl – who are ugly but who are rewarded with sudden beauty at the end of the book because they are virtuous enough to be able to see through appearances and learn not to care about them. Way to undercut your message, there. The better reading is that it's a message about finding your beauty through the eyes of another – the Beast says so to Beauty here, when he asks her how she can think she's ugly when he's the only one who can see her and he thinks she's beautiful. But too many sign posts point to the first reading, such as a parallel treatment of wealth. Beauty's family loses their money, but endures with virtue and fortitude, and are rewarded with enormous wealth and luxury in the end. All this rubs me the wrong way.

Anyway. It's still a pretty, enjoyable little book, and I can totally see how my inner princess adored it as a child.

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