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A Drop of Corruption

4/5. Sequel in this fantasy biopunk Holmes & Watson universe.

One of the more successful sequels I’ve read in a long time, in the sense that this accomplishes the task of really blowing up and blowing out the world. I continue to be only middling interested in these characters (and also continue to be puzzled about why this series is first person, aside from the obvious stylistic nod). But the construction of this empire, whose people’s bodies and minds are modified in ways beyond our understanding by methods beyond their understanding, all while the leviathans come ever closer to breaking down the sea walls, is incredibly interesting to me.

I think this book is not as successful in its project of talking about kings and power structures by blood in general. It does that, but our protagonist is not really clocking the implications for his own life as an imperial subject, so it doesn’t quite come together the way intended. The first person gets in the way there, specifically, given our protagonist is not, shall we say, a political or philosophical thinker.

Still, I am way more interested in this now than I was after the first book.

Content notes: Body modification and body horror, threats of infection/contamination.
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The Tainted Cup

4/5. Holmesian fantasy about the assistant investigator dragged along in the wake of his brilliant/eccentric/difficult boss to solve a set of murders that started with a tree bursting out of a man’s chest; also, the leviathans may be about to break the sea wall and kill everybody.

Great, even (especially?) if you ignore the pastiche as hard as I did. I am just so over it. But here you can ignore – there are allusions and archetypes, but there’s plenty of other there there. And what’s left is a really interesting world, vividly drawn characters that I’m hoping the series will expand upon because I have the sense there’s a lot more to say, and some musings on the nature of government and society. Is it another Divine Cities book? No, and I’m still waiting for him to produce something else in that league. But this is still a pleasure, and I will read more.

Content notes: Some body horror, passing references to sexual assault, murder
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Locklands

3/5. Conclusion of this trilogy that basically goes okay but what if we did the computing revolution in a fantasy setting? Eight years on from the last book, they are at war, and desperation has spurred further developments in magical programming, such as networked groups of people.

Am I the only one who found this an entertaining story, but lacking largely the depth and complexity and bittersweetness of his prior trilogy? I did enjoy this, and yes of course the magic system is by turns clever and funny. There’s a particular bit which basically amounts to the villain filing a support ticket with God that made me laugh. I would recommend this to someone who wants something different out of a fantasy trilogy. But I wouldn’t recommend it to someone looking for, you know. All the things the Divine Cities books are.

Content notes: War, death, recollection of plague and crimes against humanity.
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Shorefall

3/5. More fantasy politics and programing language magic. I'm trying to take this series on its own terms – fun, creative, leading lesbians – and not resent it for not being as complex and sad and barbed as his other fantasy trilogy. It mostly works. It helps that the magic system here is both terrifically fun (it runs on arguments! Of course I like it!) and sensibly designed with constraints that feel organic. This was really noticeable compared to other recent reading where the magic system is more like trying to learn the rules of an overly-complex board game designed by people who don't understand why you don't want to read their lovingly-drafted twenty page explanation.

Content notes: Slavery, recollections of child harm.
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Foundryside

3/5. I am still pregnant, and Robert Jackson Bennett writes interesting, chewy fantasy. This one seemed, at first, to be slighter and more traditional then his Divine Cities trilogy, which I really enjoyed. The setup is that a young woman street thief with special talents that she doesn't particularly want steals the wrong thing and becomes embroiled in guild house politics. But this story complicates itself as it goes, and becomes more and more about subjects and objects, and rewriting the rules of the world around you, and how once you have been made a commodity by someone, it is very hard to refind yourself as a person. Also, the magic system is thoroughly entertaining – it essentially amounts to objects that can talk, and many of them are excellent and hilarious.
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City of Stairs, City of Blades, City of Miracles

4/5. Trilogy spanning twenty years of spies and intrigue and divine plotting in the century after an enslaved nation rose up and killed the gods of their enslavers, tumbling an entire civilization into ruins as the miracles on which it ran disappeared.

I tell you what is miraculous: these are fantasy novels written by a man, and I really enjoyed them. They are complex and creative, with a rich constructed history. And equal streaks of adventuring (funicular battle! Spy nonsense!) and deep melancholy over wrongs done and wars lost and won. Thematically, they are asking questions about the value of suffering, and answering very decisively that there is none, thank you very much.

Also, there are women in these books. Just being there and doing things and, for the most part, driving these books forward. I do get now why some people ding them for a particular treatment of queerness but eh, it didn't ruin these for me.

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