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Water Logic and Air Logic

4/5. Concluding two volumes of this fantasy quadrology about truth and reconciliation and the hard work of peacemaking.

Ah. The sorts of books that you finish, and sigh, and just sit for a few minutes in the afterglow. I've been waiting to read these books for many many years, first because it took her many many years to finish the last book (she suffered a very serious injury, apparently) and then because it took even longer to get them in an accessible format. But that's okay. The first of these books was published in 2002 in all its gentle, hopeful, kind, complicated, queer poly glory. Back when gentle hopeful books were more common, but queer poly ones really weren't. So there's something fitting about the last of them, redemptive and hopeful and anti-violent and still queer and still poly, being published in 2019. When Queer poly books were somewhat more common, but redemptive hope was not.

What are they about? Oh, you know. How to be a philosopher instead of a soldier. How to construct peace out of the ashes of decades of violence. How to snatch a thread of hope out of the wreck of the past. The sort of magic whose rules are never really explained to you, but that makes beautiful, intuitive sense as it unfolds. You know, the little stuff. Also, they are quite funny in places.

Content notes: Recollections of war crimes and death. Child endangerment.
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Earth Logic (Elemental Logic Book 2)

4/5. *helpless gesture* Uh. It's fantasy? About elemental powers? But mostly about peacemaking? Except anything I say is inadequate and inaccurate, so.

Laurie J. Marks infamously has not yet finished the fourth volume in this series. In somewhat similar fashion, the audiobooks are being produced at the rate of approximately one every two years (hint: it doesn't normally work like that). You'd think this would drive me nuts, but it actually doesn't. There's something . . . meditative about taking these books so slowly. I mean, I don't know how you can think of only three books as a whole set of prayer/meditation beads, and yet, that's where my mind goes.

Anyway, yes, this series is awesome, and unusual. The obvious stuff first: it is populated by a lot of queer and generally non-normative people who build complex and beautiful poly families, and we don't have to have a whole big fuckin' thing about it. Less obviously, this series is subversive as hell in that it actively counters standard fantasy narratives. The appropriate response to violence in this book, in the end, is not violence. How rare is that?

But I think the most extraordinary thing about these books is the magic. It's elemental, like I said, and the "logic" of the title is part of the magic. The power comes as much from character as from, like, birthright. This became clear to me when I was jaw-droppingly outraged by a particular set of character actions in the first third of this book; they were just so obviously idiotic to me, I was astonished. What was wrong with these previously intelligent people? …Ah. Yes. I am not a fire blood. That is one success of these books, creating a personality-based magic system so interesting and accurate that I feel genuinely alienated from those parts of it that I don't understand. Gryffindors, WTF
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Fire Logic (Elemental Logic, #1)Fire Logic by Laurie J. Marks

My rating: 4 of 5 stars


I read this weeks ago, and for complicated reasons promised myself I would figure out how to review it before reviewing anything else, so at this point there is a ridiculous pile of books jostling behind this one, and none of them are even half as good, and I still don't know what to say.

It's a fantasy about a land overrun by foreign warlords, and elemental magic systems, and guerilla warfare, and it's not any of the things you are imagining right now because it is so much more. It is politically radical and personally harrowing. It is ornately but precisely written, and it is put together so well, it's one of those books where story and theme are actually the same thing. The best way to describe it is that I had the strong impression that Marks grew this book on a vine instead of writing it. Which is what critics say when they mean "organic," but I'm using more words because I really mean it.

Basically, it's a beautiful, complicated piece of art, and I loved it.




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