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Get in Trouble: Stories

4/5. Specfic short stories. The first time I read Kelly Link years ago, I found her fuckin' weird to the point of incomprehensibility, and I liked it. Now I read her and I find her fuckin' weird just barely to the point of comprehensibility, and it's still great. I don't know if she changed her style or I became a more complex reader – both, probably – but it's still working for me.

One of the stories in this collection, "I Can See Right Through You," is available to read online. It's not my favorite from the collection, but it gives an entirely accurate sense of what she does and how: pop cultural commentary that almost fools you by pretending to be obvious, until you think about it a little bit and go wait . . . what the fuck? You can also read the opening story "The Summer People" online. I kept trying to reduce this story to a class metaphor, because yeah, it's totally doing that, but let's be real, that's the least of what it's doing.

My favorite story in this collection isn't available online, unfortunately. That would be "Secret Identity," the story of a teenaged girl at a hotel where a superhero convention and a dentist convention are taking place. She's there to meet her internet boyfriend, who thinks she's in her thirties. I'm making this sound tiresome, but it's actually about refrigerators and sidekicks and users and dentists and it's freakin amazing, okay.

And then there's "Origin Story," the one about the woman meeting her superhero boyfriend in an old theme park, and "Light," about the woman with a twin born out of her shadow and pocket universes and mystery sleepers and hurricanes, and and and.
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Pretty Monsters: StoriesPretty Monsters: Stories by Kelly Link

My rating: 4 of 5 stars


Kelly Link’s short stories are like other people’s dreams. Except usually when someone pins you down to tell you about a dream they just had because they’re so excited by how weird and meaningful it is, you’re like “…um, okay. Whatever.” Or maybe that’s just me. Other people’s subconsciouses? Boringly impenetrable.



But Kelly Link’s stories are like dreams we’ve all had. There’s something really down deep twisty and disturbing she gets at, some common psychological taproot of cultural metaphor think. Because these stories, they don’t always make sense. They don’t often make sense. I finished several of them and went, “wait . . . what?” Except that they do make sense, somewhere down in the marshes. In a slippery way that’s hard to talk about.



“Magic for Beginners” – My favorite, I think. Which is odd, because it’s the New Weirdest of them all, and I’m not into New Weird. It’s about a fifteen-year-old boy and his friends who watch a TV show that might be from another dimension, and a wedding chapel in Vegas, and a painting, and first kisses and – well, it’s really about how we tell stories about people dying. It’s just awesome and fuckin’ weird, trust me.



“Monster” –An interrogation of the classic horror short story about boys at summer camp, while also being a really good one in its own right. Eek.



“The Surfer” – A kinda scifi kinda coming of age story about a teenaged boy in Costa Rican quarantine while the world waits to see how bad this flu epidemic will be, also aliens and soccer. One of the…younger stories, I think, but still so vivid and psychological.



“Pretty Monsters” – Another one that plays with classic horror tropes, but this time with a neat twist flip at the end to mess you up about who is the victim and who the monster, and to remind you that horror is really a perspective game.



“The constable of Abal” – One of the more obvious stories (an actual explanation and everything!) and so not one of my favorites.



You can’t download this entire collection, but a lot of Link’s work is available under Creative Commons. Though I highly recommend the audiobook of this collection -- it's a great production.





View all my reviews
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A collection of fantasyish shortish stories . . . ish.

Utter crazycakes fantastico. These pieces feel like dreams in that they work almost entirely underwater, in whacked out right brain metaphor speech. The sort of stories that I finished and went "wuh-waaah?" because I was still working on what had actually just happened. And like dreams, these stories get you in the limbic system, so you're all tense and twisted up and upset and involved in something that doesn't even make conscious sense, but man is it getting at something deep down there in the subconscious well.

I generally don't like this sort of thing, but this was really quite wonderful. In that perturbed dream way where I'm not entirely sure I'd ever want to go back there again.

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