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Gemina

2/5. Sequel to Illuminae. The pampered daughter of a space station commander teams up with her drug dealer when the station is invaded by a corporate commando squad bent on hushing up the atrocities from the prior book.

Yeah, no, this did not work. Which is really an accomplishment, considering Illuminae 80% worked on me and this is the exact same book. On a space station instead of a spaceship, but otherwise the structure, the emotional beats, even the characters all slot perfectly into the same mold. You can swap elements one-for-one – the plague in Illuminae is replaced here with an invasive and deadly alien predator, but they fill the exact same role of invoking terror at squishy, unstoppable biology in these close-in space habitats. The entire book is like that – like they played madlibs.

The main problem is that the epistolary structure is for a specific purpose, instead of just being a gimmick, and we know that from word one, whereas it wasn’t actually explained until the end of the first book. You’d think that’d be a good thing. But no. It just means the intense performativity of this book, and it’s obvious and clumsy emotional manipulations, become fully transparent. And my God, the attempt at stuntwriting (there’s this whole thing where a narrator is telling one story twice at the same time with slight variation for reasons). It’s embarrassing how not good it is.
lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
Illuminae

3/5. Is anyone else old enough to remember the documentation challenge from SGA Flashfic way back in the day? That's what this is. A story of two teenagers, who happen to be exes, who survive the destruction of their illegal colony and flee the planet with the evil corporate ships chasing them, but then the zombie plague starts running through their ships like wildfire. Except this is told entirely in documents – interview transcripts, chatlogs, various military files, intelligence summaries, AI data, etc.

This is about 80% extremely effective space horror/fight-for-your-life and about 20% facepalmy teenager terribleness. I do, however, want to pause to say that the commercial audio of this is excellent. It's a multi-voice production, with people playing parts so the chat logs sound like conversations. But the real power of the production is in a few, tiny sections, put in purely for the emotional impact. Like the excerpts from a casualty list near the beginning, or fragments of the messages a couple dozen people we never actually meet send out into the dark when they know they are about to die. The audio bleeds one voice into the next for the reading, so it's just this wall of – yeah. It works.

Much of the book works. It's awful and scary and grim as our heroine begins to suspect she is being lied to, and the plague heats up, and the ship AI starts to go . . . a little weird. But it's sprinkled through with such poor choices. Like blurring out the profanity – it's supposed to be an ironic commentary on the blah blah blah. It's mostly just irritating. And the teenagers are so cringily teenagers. Like, I kept telling myself it was good writing that they're so melodramatic and emo and ridic, but that didn't mean I rolled my eyes any less.

Still. This book got me in the end. The last quarter is so … harrowing is the only word I have. This is what young adult is allowed to be now, after Hunger Games. I do think that massive spoilers for the end )

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