lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
Sea of Tranquility

4/5. Short novel/long novella following several storylines over a few hundred years, including a twenty-third century moon-born author on tour on Earth when the next pandemic is brewing. It’s about time travel, to be clear.

I don’t know how she does it. Like the prior book of hers I read, this one is extremely, casually on-the-nose. Like yes, Emily, thanks, I got it. But she turns it on a dime, and one moment I’m kind of bored by it, and the next she’s giving me a spare fifty words on being a two working parent household with a small child during pandemic lockdown and I’m there, my adrenaline is going, I’m remembering my 4-8 a.m. work shifts followed by a baby care shift followed by another work shift followed by – oh wait, my hands are shaking, thanks a lot, Emily.

So yeah, this book is simultaneously weird and also obvious, but yet again, she made it work.

Content notes: Pandemic. False imprisonment. Glimpses of violence.
lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
Station Eleven

4/5. Intersecting stories of a few dozen people in the years before and the years after the flu wipes out most of civilization, generally focusing on Kirsten, who travels with a symphony and Shakespeare troop through post-apocalypse America.

I wonder if this book would have worked as well on me when I'm in my usual crispy-fried cynic state, as opposed to my current weird hormone-induced weepy state. But whoever you are, you're you, I guess. I'm a weepy me right now, and this book sure did work on me.

It's a slow meander that spirals in and out of the years before and after the flu. There's something almost meditative in its convolutions. I went in thinking with some weariness, here we go with the Shakespeare, sigh, but actually, this book is not really about Shakespeare at all. There's one significant deployment of Lear, and the fact that it is so singular makes it work. In reality, this book is about the art we carry with us, and living in the wreckage of fallen civilization, and memories and what they are worth. The central text with which the novel is concerned is actually a fictional comicbook that a few of the characters have read. It's about hiding on a space station and living on these tiny, isolated islands, and yeah, it's really very on-the-nose. The whole thing is on-the-nose. But gently, somehow?

And yeah, I basically started leaking tears at the telescope scene, when she looks through and sees lights in a grid, and doesn't understand what she's looking at. And continued to leak periodically through the rest of the book. Oof.

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