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Unnatural Magic

3/5. Fantasy about a deserting soldier who hooks up – literally – with a troll woman, and, in a story strand that remains entirely separate for 80% of the book, the progress of a young woman who is a genius in the mathematics of magic.

I read the sequel first, which I liked a great deal; this book has flashes of that creativity and wit, but they’re undercut by lots of first novel problems (like major structural issues, for one). So yes, the troll/human relationship is hitting a very specific button about inverting expected gender dynamics, and it’s doing it well, but I kept being distracted by thinking how I would have turned this wobbly double-strand narrative into a much tighter, more satisfying novella.

The thing where the troll is the woman and much bigger and stronger than the human man, and the multiple ways they are both coded as queer in different cultures is pretty good, though.
lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
The Ruthless Lady's Guide to Wizardry

4/5. A fire witch takes a bodyguard job to try and make rent and maybe help her addict mother. She gets tangled up in revenge and the drug trade and very many plots and a possessed mouse, and also starts a romance with a half-troll gentlewoman far above her station.

Ah, this is delightful. One of those deceptive books that gives you a steady stream of whimsical language and good jokes, and makes you think you are embarking on a cheerful queer magical adventure, but then enmeshes you in deeper and deeper complication and consequence so that you are neck deep in feelings before you quite realize it. This book is particularly good about money and class and how they play into romance. Bit awkward when you set out to seduce a girl to get a fun roll in the hay and a few gifts and end up with a marriage proposal, what. Other notable good bits: what being the child of an addict can do to you; how the stories we tell ourselves about ourselves are, in the end, who we are; hilarious/horrifying undead mouse; oh yeah and how pretty much everyone who matters for more than a hot second in this book is not a man.

Anyway, enjoyed it. Good romp with true and complicated feeling to it.

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