lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
The Terraformers

3/5. Sold as a novel, but really this is three connected novellas set on a planet over several centuries as it is terraformed, settled, corporatized, and gentrified.

I ought to have liked this more than I did. It’s occupying space I like – stories concerned with exploitation of resources and people, stories that creatively move beyond original flavor humanity, stories set over longer periods of time. But I was indifferent to this. There’s a quality to Newitz’s writing here – growing in their last few books – that is just not to my taste. Something a little self-consciously weird, maybe? Too much time talking about how everyone’s bodies are modified beyond our imagination, not enough time spent on the social consequences? Not quite right either. Some of it lands well – there’s a sex scene in this book between two people with very different parts and expectations and notions of gender, but meeting in a shared appreciation and interest in pleasure and togetherness, and that was lovely. But most of it fell flat for me.
lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
The Future of Another Timeline

4/5. Mostly this is about a group of women time travelers engaged in an "edit war" up and down the timeline against men's rights activists, and also partly about teenaged girl spree killers.

Tremendously weird and dense. This is about intersectional feminism and the 90-'s punk scene and being gaslit by history – in this universe, if you make an edit that takes and changes the timeline, you're the only one who remembers the timeline that came before. There's this beautiful/terrible refrain that runs through this book where one woman will say to another something like, "I remember a timeline where abortion is legal."

That's really only touching the surface of this book – it's also about methods of changing time and changing minds, and about salvaging a life out of misery and abuse, and there's this super weird thread about what women become in the future. Basically, this book is a whole lot of ideas flung up there. Only about three quarters of them made sense to me, but that's a pretty good ratio as Newitz goes, at least judging by her last book (the one with all the robot banging).

Content notes: Violence, child abuse, sexual assault.
lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
Autonomous

3/5. In a near future dystopia, a rogue chemist retroengineers the latest miracle drug that is supposed to make you love your job, with disastrous results. Meanwhile, the commando/robot team hunting her down are also busy falling into a romantic relationship with each other.

This book is doing a lot of things, and pretty much all of them hate capitalism. But I’m going to focus on the hot human on robot action, because it’s the most interesting to me. Largely because I think a subset of the tumblr generation would really, really hate it. I’m talking about the sort of people who sincerely argue that a nineteen-year-old going after a seventeen-year-old is by definition a rapist (no really, this is an actual argument). Or that if a person has a glass of wine and then has sex, they’ve been categorically and unarguably raped. (I swear to God, I am not exaggerating these arguments). These are the people who think that any relationship where the parties don’t come to it on precisely equal footing in terms of power is coercive to the point of being immoral to tell stories about, let alone have. Which is a valuable thought experiment to engage in when one is learning to understand rape culture. And an actively counterproductive, not to mention toweringly stupid, framework to apply to, you know, the actual rape culture we actually live in and actually have to deal with and form actual relationships in the context of.

All of this is to say that the human/robot romance is told by the robot, who doesn’t get her “autonomy key” – control over her own programming – until she has already made a number of key decisions about her gender presentation, her sexuality, her interest in getting involved with her partner. And then she gets her key and can revisit those decisions without running some of the ‘masterlove’ subroutines programmed into her. This book is about that stuff – being a self when someone else can edit you, by programming or by drugs. And the tumblr people I’m talking about above would just not be able to cope with the complexity of that, as presented here. With the compromises people make in order to survive inside different kinds of coercion, and how coming out the other side is never as clean or triumphant or simple as people want it to be. Which I guess makes sense since those tumblr people aren’t able to cope with the complexity of actual life, as far as I can tell.

Anyway, this book is doing a lot – too much, actually – and I wish it had a different editor, maybe. But what it’s doing is interesting.

Profile

lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
lightreads

May 2025

S M T W T F S
    123
456 78910
1112131415 1617
181920 21222324
25262728293031

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated May. 25th, 2025 10:05 am
Powered by Dreamwidth Studios