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Starling House

3/5. Opal, who clings to the precarious edge of survival in her tiny southern town, gets a job at the local haunted house to pay for her brother’s ticket out of town. Stuff happens involving evil capitalists and old children’s books and creepy mines.

I have realized that I like the stories that Alix Harrow tells, but that I decidedly do not like the way she tells them. This is a book about found family – about opening your eyes and seeing the family right there reaching for you – and making a home and all sorts of other stuff I’m into. Also sentient houses. But it’s told in such an overly precious way that I just can’t with it. Everything in this book means so much, guys. There’s an emotionally significant Toyota logo at some point, for real. And this is the sort of book that has a protagonist who is a nearly thirty year old man, and yet the narrative refers to him consisently – insistently, even – as a “boy” throughout. For the vibes, you know.

I had this same problem with one of her prior books, which had a terrible case of capitalizing random nouns, which I feel is a symptom of the same kind of preciousness. Shame, because I otherwise would have really liked this.

Content notes: Violence, hauntings, threatened sexual assault/incest referenced, parental loss
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The Ten Thousand Doors of January

3/5. Mixed race girl is the ward of a wealthy man in the early 1900's. Also, there are doors to other worlds and she has a mysterious power.

This is doing a lot of things I like and doing them well (a girl and her dog, rebellion against stifling gender and race expectations, the intrusion of the fantastical into the ordinary). But this never caught on fire for me. Part of it is my fault, and not pleasant. Specifically, the protagonist spends most of this book completely unable to notice that her abuser is abusing her, and even when she does, she can't really believe it. This is obviously a thing that happens to people, and here there is an additional magical explanation, but oi. It is so frustrating to read about that at length, and I could feel my mind turning the spotlight of blame on her, unfairly, the longer it took. So there's that.

Also, this is I suppose technically a portal fantasy, but it's really really in love with the portal part more than the fantasy part. Like all the chapters are "The Door of Ash and Wind" or whatever (I made that up, but it wouldn't surprise me to go back and find I got it dead on), and the entire thematic structure of this book rests upon the idea of portals. Doors, guys. Did you know they, like, mean something? It's just a lot. And a lot that is not particularly fresh or interesting.

Still. A nice book, and well-written.

Content notes: Animal harm (the dog does not die, btw), child abuse, institutionalization, self-harm.

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