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Poetry, from the middle period of Millay's life. I loved it, but then again I always do with her. I have a marked preference for her sonnets -- the longer
poems are equally beautiful in diction and image, but the repetitive, sing-songy pattern which made Millay famous and which I like very much is something
of a detriment over a hundred lines, pushing the poem down into consciousness so all you actively perceive is the rhythm. But yes, I love the sonnets and
Millay herself, her bravado, her cunning, her brazen sexuality, her wistful view of the human condition.

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lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
lightreads

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