The Obelisk Gate by N. K. Jemisin
Dec. 3rd, 2016 10:56 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
lightreadsThe Obelisk Gate
4/5. Sequel to the devastating and disturbing The Fifth Season. Part two – continuing survival in an apocalyptic landscape in the remnants of a civilization that enslaved those with the power to control the earth – is just as devastating! And more disturbing! And, as in the first book, this one rotates around parent/child pairs and teacher/student pairs of various sorts, so, uh, content note for about seven different kinds of child harm.
This is one of those trilogies that is fantasy on the surface, but becomes slowly more science fictional the deeper you get into it. It's an interesting effect, and I was surprised to find myself caring about it so much. I think it matters here not just for genre line-drawing, but because the intertwined modalities – fantasy, science fiction – are looking at the question of wielding power from different perspectives, and have different perspectives on what knowledge is good for. That matters, in books about the slavers and the enslaved.
So. Still really good. Still a zillion content notes (which, as always, I am happy to supply upon request). Book one went to eleven and book two escalated, so who the fuck knows how much book three will screw me up, stay tuned.
4/5. Sequel to the devastating and disturbing The Fifth Season. Part two – continuing survival in an apocalyptic landscape in the remnants of a civilization that enslaved those with the power to control the earth – is just as devastating! And more disturbing! And, as in the first book, this one rotates around parent/child pairs and teacher/student pairs of various sorts, so, uh, content note for about seven different kinds of child harm.
This is one of those trilogies that is fantasy on the surface, but becomes slowly more science fictional the deeper you get into it. It's an interesting effect, and I was surprised to find myself caring about it so much. I think it matters here not just for genre line-drawing, but because the intertwined modalities – fantasy, science fiction – are looking at the question of wielding power from different perspectives, and have different perspectives on what knowledge is good for. That matters, in books about the slavers and the enslaved.
So. Still really good. Still a zillion content notes (which, as always, I am happy to supply upon request). Book one went to eleven and book two escalated, so who the fuck knows how much book three will screw me up, stay tuned.