Nov. 11th, 2014

lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
Abhorsen (Abhorsen, #3)Abhorsen by Garth Nix

My rating: 4 of 5 stars


Talking about Lirael and Abhorsen together as they are in reality one book cut in half, probably to keep the length down for young adult readers (remember when we did that?). Two young people – an introverted and depressed magical librarian, and a prince trapped in familial expectations – find each other in order to battle an ancient evil.

These books reminded me of Fullmetal Alchemist (can't quite put my finger on it, but a similar sense of eerie morbidity around young people exercising power) and more strongly of Diana Wynne Jones (an unflinching, genuinely frightening story leavened with talking animal humor). Needless to say, I liked these books. They have a richness to them, which is a funny thing to say when I point out that they are incredibly economical with worldbuilding. Characters frequently pass back and forth over an ancient wall – staffed by military forces – which divides a magical kingdom from a nonmagical country (well, except when the north wind blows strongly). The book leans heavily on the wall and the divide, thematically, and the history of the wall is intimately tied up with the ultimate climax. But do we learn more than a few scraps about its construction? Nope. Nix has mastered that trick of creating magic and mystery in the blank spaces.

But mostly, I wanted to say that I will be thinking about the role of death in these books for a while. It's one of those universes where the true horror of death is not dying, but that you might come back. That changes the entire shape of the thing in complicated ways. Some of them remove drama from the story – at a certain point, various protagonists' miraculous survival or resurrection becomes expected – but it also adds a bit of strange mystery, a sense of the truly alien in the fantastic.




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