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Amberlough

4/5. Alt universe that I'm calling fantasy for lack of a better label. A queer intelligence operative reluctantly turns traitor against his government and supports the rise of a conservative coup, partly in an attempt to get a way out for himself and his not-really-ex, the burlesque-dancing drug smuggler.

Oof, this is good. It has the ugly brutality of a really good spy novel (the only sort of spy novel I can generally stomach). And, well. It miiiiiight not have been my best idea to read this book – about the things freaks and queers do to survive the fall of democracy and the rise of fascism – on the train every morning on my way to work. But I did, and in the end I'm not sorry.

This is sad and angry, and it has a big dose of if only they'd talk to each other, and I have complicated feelings about the ending, which is the tragic ending of all queers everywhere. But I'm not mad about it because it turns out this will be a trilogy, and also it was . . . earned. In several different senses.

One of the smartest things this book does is introduce Cordelia – the desperately poor former prostitute – as a POV character. She's brought in as a beard at one point, and in most spy stories she'd be disposable. In this one her arc is towards increasing agency, increasing anger, increasing righteousness, increasing courage. She brings a really good angle to this book, which would otherwise be far too much about well-connected, very rich men moving chess pieces around a board.

Recommended. Not for the faint of heart.

Content notes: Torture. Written in a style that, were it filmed, would manage to be disturbing without actually showing you much.
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lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
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