Nov. 20th, 2016

lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
Winter Kill

3/5. M/M. Small town cop meets uptight FBI agent as they investigate serial murder.

This is . . . weird? There's one perfunctory sex scene about one fifth of the way through, when the characters think they are having a one night stand and have only the vaguest of feelings for each other. What ought to be the second sex scene – and a far more interesting one as they are coming complexly and reluctantly together in the middle of a stressful situation – is, get this, fade to black.

I mean, I don't read commercial M/M for the sex scenes. That would be foolish at best, because oh lordy most of these authors drop straight into fanfiction.net territory when it comes to that. But the lack of sex scenes here is just so weird that it made me focus on the other weirdness. How this is a mystery first and foremost, until about 2/3 of the way through when the book is like oh shit, hot gay romance, um hang on, gimme a sec. Which would be fine if the mystery were more interesting, but, uh. You don't read a Josh Lanyon for the mystery. Though TBF this one has a surprisingly big and well-drawn cast.

I don't know, it's not like Lanyon is knew here and doesn't know how to put a book together. This one is just clearly way more interested in the small town cop shop and the arguments over community policing versus federal policing than, like, staying on brand. O…kay?

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