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lightreadsCurtsies & Conspiracies (Finishing School Series Book 2)
And Waistcoats & Weaponry (Finishing School Series Book 3)
3/5. A couple more titles in that young adult alt Victorian urban fantasy finishing spy school series.
There is something not quite right about this series. The adult titles maintain this airy soap bubble of frothy charm, and they make it look effortless. But there's some internal wobble in the young adult set that I can sort of put my finger on, but also sort of can't. Like, okay, in one of these books, our heroine is thinking about someone on the opposite side of a conflict from her, and notes that he's not bad, he's just evil. "Not that there was anything wrong with that." Which typifies this universe, and this series more specifically; it's not about good and evil having any particular valence, because good and evil are really just words that have a lot more to do with how people dress than anything.
That's the charming part.
But – here's where I get a bit hazy about it – but the racism. This is an AU where servants have been replaced largely with mechanized laborers, and yet – it is carelessly implied – there is still an African slave trade, and all that flows from that fact. It is still a scandal for a young lady to fall in love with a black laborer, specifically because of his race more than his class. And I just. Idk.
I guess I just really don't want to be reading a book whose charm is that evil is an esthetic choice, but oh also racism, ha ha. I'm not drawing this connection very clearly, but yeah. No. This series isn't right.
And Waistcoats & Weaponry (Finishing School Series Book 3)3/5. A couple more titles in that young adult alt Victorian urban fantasy finishing spy school series.
There is something not quite right about this series. The adult titles maintain this airy soap bubble of frothy charm, and they make it look effortless. But there's some internal wobble in the young adult set that I can sort of put my finger on, but also sort of can't. Like, okay, in one of these books, our heroine is thinking about someone on the opposite side of a conflict from her, and notes that he's not bad, he's just evil. "Not that there was anything wrong with that." Which typifies this universe, and this series more specifically; it's not about good and evil having any particular valence, because good and evil are really just words that have a lot more to do with how people dress than anything.
That's the charming part.
But – here's where I get a bit hazy about it – but the racism. This is an AU where servants have been replaced largely with mechanized laborers, and yet – it is carelessly implied – there is still an African slave trade, and all that flows from that fact. It is still a scandal for a young lady to fall in love with a black laborer, specifically because of his race more than his class. And I just. Idk.
I guess I just really don't want to be reading a book whose charm is that evil is an esthetic choice, but oh also racism, ha ha. I'm not drawing this connection very clearly, but yeah. No. This series isn't right.