2012-03-26

lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
2012-03-26 09:34 pm

Over Sea, Under Stone

Over Sea, Under Stone (The Dark Is Rising, #1)Over Sea, Under Stone by Susan Cooper

My rating: 3 of 5 stars


I am on a serious childhood nostalgia bender over here. Let that be a warning to you.



This series came back to me like a bolt from the blue on a perfectly normal day last week, and I suddenly had to read it right now. But, fantastic, no problem, I thought. When I originally read these books -- and read them, and read them, and read them -- it was on cassette. The good old National Library Service for the Blind cassettes in their snap plastic cases. And the NLS has been busily digitizing the collection (only about a decade late) and I could swear I saw these books go up . . .



Indeed. The NLS had digitized four out of the five, and I was sure I could ahem find Greenwitch on the back of a truck in one of the internet's ahem alleyways. So I snagged this first one and put it on my handheld and trotted off to groom the dog.



And then I turned on the book.



And it was not my narrator.



I remember her very clearly: she was British, a contralto. A gentle delivery, but with a lot of life for the children, particularly Barney, and even more gravitas for Gumerry. She read this book to me a good twenty times between the ages of eight and thirteen, and she was all that is right and proper.



And sometime in the last few decades, the NLS re-recorded the books and reissued the titles. Those old cassettes were wearing out, I'm sure, even the master copy.



And it was not okay. He was American, and he was doing his best, I'm sure, but he was not right.



Which consumed my attention for the entire book, so I don't actually have much to say aside from outraged nostalgia. This is younger and lighter than I remember. A quest story with cartoonishly simple us/them dynamics and some cute kids. Reminded me a startling amount of Arthur Ransom, because the whole thing had that quality of taking place in a bubble of childish creation, where great adventures happen and then you have tea. I was also interested to see the near-total lack of magic here, given the scope of the powers at work. Made me think about the work the rest of the series does to make sure the Drews, the mortals, remain separate. Three from the circle, three from the track. How that matters to these books in ways I'm still unpacking. But that's a subject for a later book.



But the narrator was wrong.





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