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  <id>tag:dreamwidth.org,2009-05-01:172935</id>
  <title>lightreads</title>
  <subtitle>lightreads</subtitle>
  <author>
    <name>lightreads</name>
  </author>
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  <updated>2024-12-06T20:25:50Z</updated>
  <dw:journal username="lightreads" type="personal"/>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:172935:353923</id>
    <link rel="alternate" type="text/html" href="https://lightreads.dreamwidth.org/353923.html"/>
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    <title>Bloodchild and Other Stories by Octavia E. Butler</title>
    <published>2024-12-06T20:25:50Z</published>
    <updated>2024-12-06T20:25:50Z</updated>
    <category term="science fiction"/>
    <category term="au: octavia e butler"/>
    <category term="fiction"/>
    <category term="collection"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="https://bookshop.org/a/4442/9781583226988"&gt;Bloodchild and Other Stories&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;4/5. Short story collection. Including her famous (infamous?) “pregnant man story” which, if it were on the AO3, would be tagged ova position and dead dove do not eat. She kind of lived in the dead dove do not eat tag, tbh. In a good way? I mean I’m into it. It’s all depressing as hell and twisty and psychological and horrifying. I read this months ago, and actually the few non-fantastical stories have stuck with me the most for being little jewels of twisted up circumstance and emotion.&lt;br /&gt;&lt;br /&gt;Content notes: Um, ova position? Body horror, coerced reproduction, various kinds of sexual violence, mostly off page, references to incest, violence, many other things I can't clearly remember now.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=lightreads&amp;ditemid=353923" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:172935:295480</id>
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    <title>Tales from the Folly by Ben Aaronovitch</title>
    <published>2020-08-30T14:15:13Z</published>
    <updated>2020-08-30T14:15:13Z</updated>
    <category term="urban fantasy"/>
    <category term="collection"/>
    <category term="lgbt"/>
    <category term="au: ben aaronovitch"/>
    <category term="fiction"/>
    <category term="fantasy"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="https://amzn.to/32IqPiu"&gt;Tales from the Folly&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;3/5. All the Waterstones short stories plus a few extras. And published too soon – this is more of a chapbook by length, and really needed an anchor novella. However, the audio production is a well-done multi-voice effort with intros from the author (who never sounds like I expect him to). I am also bemused that he can't/won't use the word ficlet so has to invent a whole new word for what are, 100% no question, ficlets.&lt;br /&gt;&lt;br /&gt;On the whole, a nice way to expand the universe with more non-Peter content, but like I said, published too soon, too lightweight.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=lightreads&amp;ditemid=295480" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:172935:288835</id>
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    <title>No Man of Woman Born by Ana Mardoll</title>
    <published>2020-06-21T00:34:46Z</published>
    <updated>2020-06-21T00:34:46Z</updated>
    <category term="fiction"/>
    <category term="collection"/>
    <category term="lgbt"/>
    <category term="au: ana mardoll"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="https://bookshop.org/a/4442/9781987412918"&gt;No Man of Woman Born&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;3/5. Collection of fantasy short stories, several transformative, all featuring nonbinary/trans/genderfluid people.&lt;br /&gt;&lt;br /&gt;Good idea, repetitive execution. There are seven stories in this collection and six of them can be summarized as 'there's this prophecy about who can defeat [insert evil here] – and no one understands how the prophecy is actually talking about a non-cisgendered person.' Which is mildly entertaining once. By the third time it's madlibs (this time with a trans person and a warlord! That time with a genderfluid person and – I honestly can't remember which evil goes here). This is on purpose, mind you – these are supposed to be stories about how destiny sees the gender nonconforming person properly. But if you aren't hungry for that kind of affirmation, all these stories are doing basically the same thing.&lt;br /&gt;&lt;br /&gt;Still, representation is representation, and I appreciate the assiduous use of content notes. Probably a really good find for a gender nonconforming teen, or someone else who actually is hungry for affirmation.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=lightreads&amp;ditemid=288835" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:172935:250730</id>
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    <title>Proto Zoa by Lois McMaster Bujold</title>
    <published>2019-06-15T15:08:25Z</published>
    <updated>2019-06-15T15:08:25Z</updated>
    <category term="collection"/>
    <category term="science fiction"/>
    <category term="fantasy"/>
    <category term="fiction"/>
    <category term="au: lois mcmaster bujold"/>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">&lt;a href="https://amzn.to/2XfMv4S"&gt;Proto Zoa&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;2/5. Collection of very early shorts. I never read this back when I was in Bujold fandom because it was nowhere to be found in accessible format. It's a weird collection because it's recognizably her but also . . . not very good? There are some highlights – the evocation of the miseries of stay-at-home mothering with a useless spouse in "Barter" are hilarisad. But the keystone novella, "Dreamweaver's Dilemma" is a competent but shallow treatment of an idea I've seen done many times much better (also creepingly sexist around the edges). But the one that really threw me was "Garage Sale," a manifestly unkind story about neighbors who hate each other and both behave horribly.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=lightreads&amp;ditemid=250730" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:172935:183564</id>
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    <title>Sisters of the Revolution</title>
    <published>2015-07-12T16:27:36Z</published>
    <updated>2015-07-12T16:27:36Z</updated>
    <category term="collection"/>
    <category term="fiction"/>
    <category term="ed: ann vandermeer"/>
    <category term="women and feminism"/>
    <category term="science fiction"/>
    <category term="fantasy"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://www.amazon.com/gp/product/B00WDE1MRG/ref=as_li_tl?ie=UTF8&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B00WDE1MRG&amp;amp;linkCode=as2&amp;amp;tag=light013-20&amp;amp;linkId=N4NHWRJBT4LSNNDN"&gt;Sisters of the Revolution: A Feminist Speculative Fiction Anthology&lt;/a&gt;&lt;img src="http://ir-na.amazon-adsystem.com/e/ir?t=light013-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=B00WDE1MRG" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;&lt;br /&gt;&lt;br /&gt;4/5. I backed this collection on Kickstarter and got an early release copy. Took me a while to get through it, though, so it seems to be out now.&lt;br /&gt;&lt;br /&gt;The introduction to this collection specifically notes it is not intended to be a full survey. Which it isn't, and shouldn't be. It's just unfortunate that – and I knew this going in – the Vandermeers and I have very different tastes. They really like the Weird and the surreal, and I often don't. I spent the full first third of this collection sighing a lot in boredom and complaining to my wife about stories whose entire purpose is to turn women into thematically significant animals or objects. You know the sort of thing. It's not my thing. Those of you who do enjoy it, I wish you well of it.&lt;br /&gt;&lt;br /&gt;Anyway, I still enjoyed this, and do recommend it. This introduced me to a lot of authors I was only peripherally aware of before, and made me think. Some brief story notes on a few pieces that jump out as I look back.&lt;br /&gt;&lt;br /&gt;Ursula K. Le Guin, "Sur" – One of my favorites. Tale of the women who were secretly first to reach the South Pole. Beautiful and restrained and warm and cold at the same time. &lt;br /&gt;&lt;br /&gt;Susan Palwick, "Gestella" – This story of a werewolf aging at a different rate than her (misogynist) husband was the most viscerally upsetting in the whole collection, to my mind. I almost didn't read the last page, but ultimately made myself. I owed it to the protagonist.&lt;br /&gt;&lt;br /&gt;Nalo Hopkinson, "The Glass Bottle Trick" – A Bluebeard story, told, frighteningly, from within his home.&lt;br /&gt;&lt;br /&gt;Joanna Russ, "When It Changed" – Another version of 'men arriving into a society of all women.' And a good one. Not particularly subtle, but the thing is it needed to be unsubtle, because the patriarchal assumptions it is pushing against are too pervasive for many readers to see around without a lot of help.&lt;br /&gt;&lt;br /&gt;Octavia E. Butler, "The Evening the Morning and the Night" – Hm. I had a lot of issues with this story of living with impending disability, and ultimately I shook my head over it. But I was engaged, I'll give it that.&lt;br /&gt;&lt;br /&gt;Hiromi Goto, "Tales from the Breast" – One of the few Weird stories that really worked for me. Hallucinatory and disturbing story of post delivery and breastfeeding.&lt;br /&gt;&lt;br /&gt;Carol Emschwiller, "Boys" – Hm. Sort of interesting (post apocalyptic? Unclear) story of a gender-separated society, that gets less interesting the more I think about it, because the more I think about it the more I realize the story doesn't work unless you base it on a lot of gender essentialist assumptions before the first word was in place. Which might have been part of her point. Or not. Also unclear.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=lightreads&amp;ditemid=183564" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:172935:177832</id>
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    <title>Get in Trouble by Kelly Link</title>
    <published>2015-03-21T15:11:00Z</published>
    <updated>2015-03-21T15:11:00Z</updated>
    <category term="fiction"/>
    <category term="science fiction"/>
    <category term="fantasy"/>
    <category term="au: kelly link"/>
    <category term="collection"/>
    <dw:security>public</dw:security>
    <dw:reply-count>3</dw:reply-count>
    <content type="html">&lt;a href="http://www.amazon.com/gp/product/B00MSS0WQY/ref=as_li_tl?ie=UTF8&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B00MSS0WQY&amp;amp;linkCode=as2&amp;amp;tag=light013-20&amp;amp;linkId=VXZDIODYTHF2GAIT"&gt;Get in Trouble: Stories&lt;/a&gt;&lt;img src="http://ir-na.amazon-adsystem.com/e/ir?t=light013-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=B00MSS0WQY" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;&lt;br /&gt;&lt;br /&gt;4/5. Specfic short stories. The first time I read Kelly Link years ago, I found her fuckin' weird to the point of incomprehensibility, and I liked it. Now I read her and I find her fuckin' weird just barely to the point of comprehensibility, and it's still great. I don't know if she changed her style or I became a more complex reader – both, probably – but it's still working for me.&lt;br /&gt;&lt;br /&gt;One of the stories in this collection, "I Can See Right Through You," is &lt;a href="http://www.mcsweeneys.net/pages/i-can-see-right-through-you"&gt;available to read online&lt;/a&gt;. It's not my favorite from the collection, but it gives an entirely accurate sense of what she does and how: pop cultural commentary that almost fools you by pretending to be obvious, until you think about it a little bit and go &lt;i&gt;wait . . . what the fuck?&lt;/i&gt; You can also read the opening story "The Summer People" &lt;a href="http://blogs.wsj.com/speakeasy/2015/02/04/read-a-story-from-kelly-links-get-in-trouble/"&gt;online&lt;/a&gt;. I kept trying to reduce this story to a class metaphor, because yeah, it's totally doing that, but let's be real, that's the least of what it's doing.&lt;br /&gt;&lt;br /&gt;My favorite story in this collection isn't available online, unfortunately. That would be "Secret Identity," the story of a teenaged girl at a hotel where a superhero convention and a dentist convention are taking place. She's there to meet her internet boyfriend, who thinks she's in her thirties. I'm making this sound tiresome, but it's actually about refrigerators and sidekicks and users and dentists and it's freakin amazing, okay.&lt;br /&gt;&lt;br /&gt;And then there's "Origin Story," the one about the woman meeting her superhero boyfriend in an old theme park, and "Light," about the woman with a twin born out of her shadow and pocket universes and mystery sleepers and hurricanes, and and and.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=lightreads&amp;ditemid=177832" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:172935:174078</id>
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    <title>Across the Wall by Garth Nix</title>
    <published>2015-01-05T04:11:29Z</published>
    <updated>2015-01-05T04:11:29Z</updated>
    <category term="collection"/>
    <category term="fantasy"/>
    <category term="au: garth nix"/>
    <category term="fiction"/>
    <dw:security>public</dw:security>
    <dw:reply-count>4</dw:reply-count>
    <content type="html">&lt;a href="https://www.goodreads.com/book/show/47617.Across_the_Wall" style="float: left; padding-right: 20px"&gt;&lt;img alt="Across the Wall: A Tale of the Abhorsen and Other Stories (Abhorsen)" border="0" src="https://d.gr-assets.com/books/1302829636m/47617.jpg" /&gt;&lt;/a&gt;&lt;a href="https://www.goodreads.com/book/show/47617.Across_the_Wall"&gt;Across the Wall: A Tale of the Abhorsen and Other Stories&lt;/a&gt; by &lt;a href="https://www.goodreads.com/author/show/8347.Garth_Nix"&gt;Garth Nix&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;My rating: &lt;a href="https://www.goodreads.com/review/show/1156289454"&gt;3 of 5 stars&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Collection. Hrm. Turns out Nix is one of those authors who I like more at greater length. The Abhorsen novella that starts this collection was the highlight for me: it had all the creepiness and mounting pressure and young people being brave with difficulty that I like from him. The rest of the collection was hit or miss, and it really seemed like the shorter the piece, the more scattered or unclever (or, in one case, quite sexist) I found it.&lt;br&gt;&lt;br&gt;I'm only writing it up at all to ask whether I should be reading this days of the week series of his? It looks a bit younger than the Abhorsen books -- yay or nay?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.goodreads.com/review/list/1836077-lightreads"&gt;View all my reviews&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=lightreads&amp;ditemid=174078" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:172935:168007</id>
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    <title>Labor Day: True Birth Stories by Today's Best Women Writers</title>
    <published>2014-09-09T20:40:04Z</published>
    <updated>2014-09-09T20:40:04Z</updated>
    <category term="nonfiction"/>
    <category term="collection"/>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">&lt;a href="https://www.goodreads.com/book/show/18490591-labor-day" style="float: left; padding-right: 20px"&gt;&lt;img alt="Labor Day: Birth Stories for the Twenty-first Century: Thirty Artful, Unvarnished, Hilarious, Harrowing, Totally True Tales" border="0" src="https://d.gr-assets.com/books/1393065823m/18490591.jpg" /&gt;&lt;/a&gt;&lt;a href="https://www.goodreads.com/book/show/18490591-labor-day"&gt;Labor Day: Birth Stories for the Twenty-first Century: Thirty Artful, Unvarnished, Hilarious, Harrowing, Totally True Tales&lt;/a&gt; by &lt;a href="https://www.goodreads.com/author/show/4455701.Eleanor_Henderson"&gt;Eleanor Henderson&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;My rating: &lt;a href="https://www.goodreads.com/review/show/1050399629"&gt;3 of 5 stars&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;For context, I should note that my response to this collection probably has a lot to do with the fact that I read two-thirds of it while repeatedly slamming my head into the emotional brick wall that is a stubborn breech baby. So in one respect, this collection was helpful because pretty much any group of birth stories, in the aggregate, will be all about how this shit doesn't go to plan. It just doesn't. It is peripherally comforting to remember that, as one's plans crumble around one's ears.&lt;br&gt;&lt;br&gt;On the other hand. This is a collection of stories of singleton births and twin births; births in the hospital, at home, the birth center, the car; births after miscarriage; births after infertility; births of well babies and sick babies and at least one dead baby; complicated births and easy births; medically mismanaged births; traumatic births; beautiful births. That sounds like it covers a lot of ground, and it does. But for all that, there's a . . . sameness here. And I don't mean that this collection has put its finger on the concerns and experiences of America's gestators. More like this collection has put its finger on the concerns and experiences of well-educated, well-informed, married, intentionally pregnant women writers of &lt;em&gt;New York Times&lt;/em&gt; notable books who seek out midwifery care and who have caesarians at a noticeably lower rate than the norm, which is to be expected as an artifact of economic/access privilege. I mean, some of that describes me, too, and yet this collection didn't truly speak to me, didn't reach me while I'm wrestling with this thing that is happening to me, which it should have.&lt;br&gt;&lt;br&gt;I don't know. Maybe it's not the fault of this book. Maybe it isn't just that the experiences of women who write &lt;em&gt;New York Times&lt;/em&gt; notable books (most of which I suspect I would loathe – the books, not the women) are so similar in essence, even while being different in facts. Maybe it's birth stories themselves. Maybe they are like relating a dream: so personal and vital to the teller, but rather strange and impenetrable to the listener, because that's just how it is with an experience so profound. &lt;br&gt;&lt;br&gt;Or maybe it's me. Maybe this memo from the universe I am taking right now -- &lt;em&gt;let go, you are not in charge here, there is no amount of smart that will fix this, let go&lt;/em&gt; -- maybe I still need to hear it a few dozen more times before I can hear anything else.  &lt;br&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.goodreads.com/review/list/1836077-lightreads"&gt;View all my reviews&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=lightreads&amp;ditemid=168007" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:172935:141919</id>
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    <title>Some Remarks by Neal Stephenson</title>
    <published>2013-03-08T03:25:07Z</published>
    <updated>2013-03-08T03:25:07Z</updated>
    <category term="collection"/>
    <category term="au: neal stephenson"/>
    <category term="nonfiction"/>
    <category term="science fiction"/>
    <category term="fiction"/>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">&lt;a href="http://www.goodreads.com/book/show/13406933-some-remarks" style="float: left; padding-right: 20px"&gt;&lt;img alt="Some Remarks: Essays and Other Writing" border="0" src="http://d.gr-assets.com/books/1343761681m/13406933.jpg" /&gt;&lt;/a&gt;&lt;a href="http://www.goodreads.com/book/show/13406933-some-remarks"&gt;Some Remarks: Essays and Other Writing&lt;/a&gt; by &lt;a href="http://www.goodreads.com/author/show/545.Neal_Stephenson"&gt;Neal Stephenson&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;My rating: &lt;a href="http://www.goodreads.com/review/show/555271750"&gt;2 of 5 stars&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Neal Stephenson existed to me entirely through his novels before, since he doesn't have any of the modern authorial infrastructure – no twitter, no blog, no Goodreads, etc. And apparently I had come to a number of conclusions about him based entirely on his books, which is one of those things we like to pretend we don't do, but, I mean, come on. I figured this out when I was trudging through the opening salvos of this book and thought, &lt;em&gt;ug, what a fucking asshole&lt;/em&gt;, with a complete lack of surprise. So I ran an informal poll of some of my friends who have also read and greatly enjoyed his books (all women, come to think of it) along the not at all respondent-biasing lines of "Neal Stephenson, gut check, asshole or not asshole?" and got 100% "asshole" back without hesitation. Yeah. We all do it. It's just funny when we come to the same conclusion.&lt;br /&gt;&lt;br /&gt;Anyway, this was really rocky. I dug the fiction, because even when he's writing about stuff I'm tired of hearing about (monetary systems) he's just so damn snappy and hilarious. And the (excerpts?) from the long piece on the fiendishly mad engineering endeavor of laying transoceanic cables were fascinating.&lt;br /&gt;&lt;br /&gt;But the shorter nonfiction pieces. Save me. In the intro he puts an "I own this" stamp on everything by explaining it's a curated collection, it's the stuff he basically still stands by. So okay. He stands by the reductionist and defensive and obnoxious commentary on geek culture. I could write 500 more words on this, but suffice it to say he uses a lot of "we geeks all know" and "we geeks all feel," type of rhetorical gestures, and I? Yeah, I'm a queer disabled geek and I am really, really not in his "we all." And he stands by the way he never met a criticism rooted in the portrayal of people of color (or the lack thereof) in art that he actually understood and didn't have something snide to say about. And he stands by all the rhetorical us versus them cultural game-playing and the lecturing and the general obnoxiousness laid thick enough to make me want to argue with him when I totally agreed with something he was saying.&lt;br /&gt;&lt;br /&gt;So basically I will never ever read his nonfiction again, and on the bizarre chance he ever gets a twitter, I'm blocking it instantly. But the fiction and I will still probably get on like gangbusters.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.goodreads.com/review/list/1836077-lightreads"&gt;View all my reviews&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=lightreads&amp;ditemid=141919" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:172935:139861</id>
    <link rel="alternate" type="text/html" href="https://lightreads.dreamwidth.org/139861.html"/>
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    <title>A Blink of the Screen: Collected Short Fiction by Terry Pratchett</title>
    <published>2013-01-19T17:16:41Z</published>
    <updated>2013-01-19T17:16:41Z</updated>
    <category term="science fiction"/>
    <category term="fantasy"/>
    <category term="au: terry pratchett"/>
    <category term="fiction"/>
    <category term="collection"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://www.goodreads.com/book/show/13536811-a-blink-of-the-screen" style="float: left; padding-right: 20px"&gt;&lt;img alt="A Blink of the Screen: Collected Shorter Fiction" border="0" src="http://d.gr-assets.com/books/1345767740m/13536811.jpg" /&gt;&lt;/a&gt;&lt;a href="http://www.goodreads.com/book/show/13536811-a-blink-of-the-screen"&gt;A Blink of the Screen: Collected Shorter Fiction&lt;/a&gt; by &lt;a href="http://www.goodreads.com/author/show/1654.Terry_Pratchett"&gt;Terry Pratchett&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;My rating: &lt;a href="http://www.goodreads.com/review/show/510909855"&gt;3 of 5 stars&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Pratchett completists should jump on this, but otherwise I think I'd be irritated to pay full hardcover or audio price for a collection with so much juvenilia and so many punchline stories. I mean, his drabbles and short shorts and poems are often quite good – "They don't teach you about death, your mom and dad. They give you pets," – but still. Oh, and the A.S. Byatt introduction is awful, because apparently she can be judgmental and dismissive of genre fiction &lt;em&gt;while she's talking about genre fiction that she likes&lt;/em&gt;, but what the fuck ever, A.S. Byatt, you just keep chewing those snotty sour grapes. A few scattered thoughts:&lt;br /&gt;&lt;br /&gt;"The Sea and Little Fishes" – A Discworld story of Granny Weatherwax, and what it's like to be very very good but not very nice. I, uh. I might have identified with this a leeeettle bit. One of the standouts.&lt;br /&gt;&lt;br /&gt;"The Hades Business" – Apparently written at the age of 13, and my God, it doesn't show. Well, I mean, it does in the prose, and in the ideas when put to scale of his full range of work, but honestly, he was so clearly already himself at that age, it's a little eerie.&lt;br /&gt;&lt;br /&gt;"# ifdef DEBUG "+ "world/enough" + "time" – Life and death and virtual reality. Dated, sweet, apparently adored by the masses. But it made me very uncomfortable in some subliminal gender related ways, and that feeling has only worsened with thought.&lt;br /&gt;&lt;br /&gt;"The High Meggas" – A 1986 short story that later became &lt;em&gt;The Long Earth&lt;/em&gt;. Dimension hopping across alternate earths with bonus survivalist and truth dilemma. It did make me want to read the novel, largely because it's such a fertile concept. Most notable for being maybe the tenth time in this collection Pratchett says something should have been/wanted to be/eventually was a novel, which is apparently his form of choice. If you couldn't tell. And knowing that . . . I honestly wish a few of his books were short stories now. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.goodreads.com/review/list/1836077-lightreads"&gt;View all my reviews&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=lightreads&amp;ditemid=139861" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:172935:121367</id>
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    <title>Manhattan in Reverse by Peter F. Hamilton</title>
    <published>2011-12-31T14:10:06Z</published>
    <updated>2011-12-31T14:10:06Z</updated>
    <category term="science fiction"/>
    <category term="au: peter f hamilton"/>
    <category term="fiction"/>
    <category term="collection"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://www.goodreads.com/book/show/10710770-manhattan-in-reverse" style="float: left; padding-right: 20px"&gt;&lt;img alt="Manhattan in Reverse" border="0" src="http://ecx.images-amazon.com/images/I/51Zr6ic3h-L._SX106_.jpg" /&gt;&lt;/a&gt;&lt;a href="http://www.goodreads.com/book/show/10710770-manhattan-in-reverse"&gt;Manhattan in Reverse&lt;/a&gt; by &lt;a href="http://www.goodreads.com/author/show/25375.Peter_F_Hamilton"&gt;Peter F. Hamilton&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;My rating: &lt;a href="http://www.goodreads.com/review/show/253716738"&gt;2 of 5 stars&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;This collection and I got along fine for the first 80%. I picked it up because it seemed like an easier way to try Hamilton without commiting to one of his doorstops. This was a mistake, since most of the collection is tie-ins to his cifi universes, and without that knowledge they're pretty limp. I did like "Watching Trees Grow," the one about the alt universe Roman semi-immortal who uses progressive technology to solve a troubling murder over the course of several centuries. Cool, if obvious, meditation on truth and technology.&lt;br /&gt;&lt;br /&gt;And then we hit "Manhattan in Reverse," the last story. And, oh God. You guys. It is so bad. So creepingly, gapingly bad that I didn't even notice until halfway through, and then I went &lt;em&gt;wait . . . what the fuck?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;See, it's supposed to be a future reimagining of an old historical racial wrong. Except Hamilton needs to never &lt;em&gt;ever&lt;/em&gt; try something like that again, because it is so clumsy and so badly thought out that what you get is a metaphor that collapses into offensive mush if you think about it with any critical faculty, and a topcoat of White Man's Burden to boot. This is a story that, blatantly but I can only assume unintentionally, draws a direct comparison between the white settlers cheating the native inhabitants of Manhattan out of their island and then forcing them out to what happens to &lt;em&gt;a pre-intelligent and unevolved species when a more intelligent species comes a long and messes with it.&lt;/em&gt; For serious. I read that bit four times going &lt;em&gt;wait, he couldn't have . . . no. No, he really just did.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Is Hamilton prone to this sort of tragic overestimation of his ability to tackle complex issues? Translation: should I bother with one of the doorstops?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.goodreads.com/review/list/1836077-lightreads"&gt;View all my reviews&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=lightreads&amp;ditemid=121367" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:172935:88962</id>
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    <title>Dark and Stormy Knights</title>
    <published>2010-09-06T20:59:29Z</published>
    <updated>2010-09-06T20:59:29Z</updated>
    <category term="au: jim butcher"/>
    <category term="collection"/>
    <category term="fiction"/>
    <category term="fantasy"/>
    <category term="au: p n elrod"/>
    <category term="au: rachel caine"/>
    <category term="au: carrie vaughn"/>
    <category term="au: lilith saintcrow"/>
    <category term="au: ilona andrews"/>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">&lt;a href="http://www.goodreads.com/book/show/7292791-dark-and-stormy-knights" style="float: left; padding-right: 20px"&gt;&lt;img alt="Dark and Stormy Knights" border="0" src="http://photo.goodreads.com/books/1267500979m/7292791.jpg" /&gt;&lt;/a&gt;&lt;a href="http://www.goodreads.com/book/show/7292791-dark-and-stormy-knights"&gt;Dark and Stormy Knights&lt;/a&gt; by &lt;a href="http://www.goodreads.com/author/show/723801.P_N_Elrod"&gt;P.N. Elrod&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;My rating: &lt;a href="http://www.goodreads.com/review/show/119258618"&gt;2 of 5 stars&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Anthologies, you know. It’s like asking people to throw random things at your head and hoping they pick cotton balls instead of rocks.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The good&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Rachel Caine, “Even a Rabbit Will Bite” – A surprise standout. I’m not a Rachel Caine fan (hello, deliberate impregnation without consent plotline in her series, unclean unclean!) but this really worked. Very ancient dragonslayer teaches the trade to her apprentice. There’s just one dragon left in the world now, and only on the brink of extinction can you ask if this should ever have happened. Nothing hugely surprising, but one of the most balanced, layered stories here. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Jim Butcher, “Even Hand” – Oh Jim Butcher, how are you so charming while still being . . . you? A mystery for the ages. Harry Dresden is Sir Not Appearing in this story, except for how when a story is about John Marcone, it’s really all about Harry Dresden anyway.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Ilona Andrews, “A Questionable Client” – A long night’s slugfest of bodyguard work, enlivened by some interesting worldbuilding and a nice ending. No real &lt;em&gt;there&lt;/em&gt; there, but lots of color.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The bad&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Deirdre Knight, “Beknighted” – How am I supposed to take an author seriously when she says “preciseness” instead of “precision?” Also, the story is a floridly overwritten bit of nonsense that is supposed to be romantic and atmospheric but . . . isn’t.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Shannon K. Butcher, “The Beacon” – A story about a guy who shoots people before they can unknowingly pull demons across the void to kill everyone. Except one day, it’s a little girl, and you know shooting those old people, that was okay, but this is just not on, and also the girl’s mother is hot. The story isn’t great, but I hated it more than it deserved for its inept attempt at depth.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Vicki Pettersson, “Shifting Star” – It’s so awkward when you automatically assume the sexually harassing neighbor dude who can’t take no for an answer is one of the bad guys, only to discover he’s supposed to be the hero. Always an awkward cocktail party moment! Add in the bit where the heroine fucks with his memory and then makes out with him, and I pretty much had to scrub my brain out after reading this. But I think we already knew Vicki Pettersson’s sexual politics were this bad.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The indifferent&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Carrie Vaughn, “God’s Creatures” – Unexceptional story about a werewolf hunt that does the whole “who’s the real monster here?” routine. Been there, done that.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Lilith Saintcrow, “Rookwood and Mrs. King” – Vampire detective gets hired to kill a woman’s undead husband, and then she pwns him all over the place. Vaguely entertaining.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;P. N. Elrod, “Dark Lady” – Chicago, vampires, mob, etc. Fun, but not something I’ll remember two weeks from now.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.goodreads.com/review/list/1836077-lightreads"&gt;View all my reviews&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=lightreads&amp;ditemid=88962" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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