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The Whitefire Crossing

2/5. Fantasy about the smuggler hired to get a runaway mage across the mountains to the sort of rival magical city.

Meh. It's not just that this book alternates between first person and close third, which is one of those things you can totally do . . . if you have a reason for it. There is no reason here.

It's not just that. It's mostly that there's a pattern to the women in this book, such as they are. They're either tortured and murdered to fuel male angst . . . or kept as an unwitting hostage by one man to control another . . . or lied to and shuffled offstage the moment the plot starts happening to keep them safe or . . . actually, I think I've run out of women.
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lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
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