I think; her language can be powerful when it's opaque from pure lyrical momentum.
*nodding*. To borrow the book's language, sometimes reading her is like a non-musician listening to intricate classical music -- it's really pretty, even if you can't deconstruct it.
Which ones are the Cygnet books? I have <FR sitting around somewhere waiting to be read, but I'm not sure about these.
no subject
*nodding*. To borrow the book's language, sometimes reading her is like a non-musician listening to intricate classical music -- it's really pretty, even if you can't deconstruct it.
Which ones are the Cygnet books? I have <FR sitting around somewhere waiting to be read, but I'm not sure about these.