lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
When the Moon Was Ours

2/5. A girl with a complicated past grows roses from a wound in her wrist; the local "witch" girls want the roses for their own ends.

Well, on the plus side, this is a great example of a book where representation works so much better when it's not done on the 'one and only' model. There are two trans characters in this book who are in very different places in re their identities, their bodies, and their transitions. And because there are two of them, it is so much easier to take each of them where they are, as a person, rather than – unfairly but inevitably – as some sort of comment on trans people in general, or transition in general, or or or.

On the other hand, this book is 70% symbolism by volume, with a plot tossed over top. These are not the proportions I like my fiction to have. I spent this whole book like, "Wait, that wasn't a metaphor, the pumpkin literally turned to glass? Oh-kay . . . what does that mean? What do the paper moons mean? What about the – oh, for fuck's sake."

Either this novel really ought to have been novelette length, at most, or it is so so so so not for me. Or both.

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