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The Snow Queen

3/5. On a planet whose only significance is the sea creatures who can grant extended life, winter is drawing to a close. Soon technology will withdraw when the wormhole closes, and power will change hands to the summers. The winter queen does not want that to happen, so she seeds the summers with her clones, hoping that at least one will survive to take her place.

My wife has two enormous framed prints, one of the summer queen, one of winter. They might be the cover art? They're currently in a closet, but they were hanging up in our last place with a lot more wall space (seriously, these things are huge). I said when we hung them that they ought not be across a room facing each other, so we ended up putting them on parallel walls offset to each other. Looking toward the same thing, but from a different place. That was accidentally correct on my part, since I hadn't read this yet.

This book is . . . strange, concerned with the shapes of relationships more than the relationships themselves, if you know what I mean. Concerned with the myth, and pacing out its convolutions with these particular people. This sort of thing usually irritates me. I know better than to read that YA series retelling Cinderella on a moon colony; I know it would not go well for me. I always catch myself so completely not getting the point. Like for the first quarter of this book, which I spent entirely focused on whether there is an Earth in this timeline, and if these are very distant Earth colonists, and if so did those Earth people carry this myth? Because they couldn't have, otherwise everyone would be way more self-conscious. But if they didn't, then –

Totally missing the point on these, that's me.

This did win me over. It's amazingly 80's and it made me laugh where it did not mean to, but at its heart it is about intersecting layers of exploitation; how this interstellar power is using a natural resource in, it turns out, a horrifyingly unethical way, how the queen's efforts to snatch power back make her complicit in that, how she in turn exploits her population as her plans spin out. There are intersecting images of captivity – animals in cages, people in cages, machine intelligences stuck on their tracks. It all ticks through with inevitability, which is a thing you don't see much these days. I did mention 80's.

Glad I read it, but this doesn't really speak to me.
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lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
lightreads

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